Give your characters flaws So your characters should be recognizable…but they also need to have a flaw. Or at least not as many as there could be. A critical mistake made here can undermine even the best story concept. Guest Column September 15, Psychological thrillers are going through a boom—which means thriller writing is on the rise.
In his closet is something he does not want anyone to find, ever. Other times it will come to you at the end. An internal problem as well as an external one.
They are the people we are married to or live next door to. Dose your book with these five Cs and it will stand strong, chest out, ready to give your reader a run for the money.
Your characters needs some grit in their oyster. Then discard those three and do something different. This guest post is by James Scott Bell. It needs to be scary. Make a quick list of at least 10 things that just pop into your mind. Subscribe to our FREE email newsletter and download free character development worksheets!
We know she has a short fuse. His first solo novel, The Magpiesreached the No. It can be anything that bursts into a scene and shakes things up. The crosscurrents of emotion this will create in your readers will deepen your thriller in ways that virtually no other technique can accomplish.
They could be insecure or jealous; they might have an alcohol problem or find it hard to tell the truth. How were they dashed? Your characters should be too. If you make the reader wonder, they will be hooked as they try to figure it out.
Think about what scares you. The trick is to take an everyday situation and ask yourself this question: Then think of another thing. For a healthy, fully functioning thriller, try some literary vitamin C.
What life-altering hurt did he suffer? You go where angels fear to tread. You need to show how they are feeling through their reactions and actions.
This guest post is by Mark Edwards. Pause after every scene and ask yourself: Can we really trust what they are telling us? They want to picture themselves in the story — and imagine how they would act if they were thrown into a terrifying situation.
Confrontation I call the main action of a novel the confrontation. Look for ways friends can become enemies or betrayers.
Start by giving your antagonist just as rich a backstory as your hero. It makes me think of readers who pick up thrillers and find no thrills in them. You are a writer. Instead, the thriller hero needs to struggle with issues inside as well as outside. What does this reveal about the inner life of the character?
Part of the fun for readers is thinking a story is going one way, and getting taken completely by surprise. A car crashes through the wall.Praise for Jeff Menapace-Winner of the Red Adept Reviews Indie Award for Horror "Psychological thrillers that take you to extremities of fear and suspense.
This guest post is by Mark Edwards. Edwards writes psychological thrillers in which terrifying things happen to ordinary people. His first solo novel, The Magpies (), reached the No.1 spot on Amazon UK as did his third novel, Because She. 6 thoughts on “ The 5 C’s of Writing a Great Thriller Novel ” EricGomez September 5, at pm.
Am Karen Lola from Scotland.
I was having serious relationship problems with my boyfriend and it had resulted in him moving out to. The Uninvited An Extreme Thriller Horror Suspense Novel Series: Psychological Extreme Horror Book 1 - Kindle edition by Mike Evans, Lisa Vasquez.
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