After struggling with the flow of writing, and the lack of emotional connection to Momaday in this piece, he then ends the story prematurely. Through this journey they were liberated from an exclusive focus on survival, and they became dignified and visionary.
Before the dance could begin, white soldiers came to disperse the tribe, since Indian religions were seen as dangerous.
Did proceeding on a fifteen hundred mile pilgrimage have anything to do with a personal quest, or did he simply have nothing better to do with his time?
Aho grew up surrounded by the mood of defeat and a general sense of brooding.
This exposed Momaday to the traditions of his Kiowa ancestry, as well as the traditions of other tribes, such as the Apache, Pueblo, and Navajo.
He failed to personally connect with the reader and, therefore, made reading this piece difficult to enjoy. Momaday provided sufficient detail in describing the landscape along his pilgrimage. The strength of the Kiowa oral tradition is apparent here; though Aho has lived her whole life in Oklahoma, she is so familiar with centuries of history and myth that she is able to transmit her culture to her grandson.
Active Themes Momaday notes, also, that his grandmother became a Christian later in life, though she never forgot her history.
Active Themes With his grandmother now only existing in memory, Momaday attempts to describe what was characteristic of her.
Instead of being concerned with the literal formation of the tribe a deeper origin than Momaday considers, perhaps because that history is unknownhe focuses on the Kiowa transformation into the great people he believes it was their nature to become.
I was left with numerous questions: Alongside his scholarly writing, Momaday pursued creative writing, and he won the Pulitzer Prize for his first novel, House Made of Dawn, in Rainy Mountain, which is a symbol of home for the Kiowas, is described as being integrated into a complex and dynamic landscape.
Active Themes Momaday begins at Yellowstone, where he describes the landscape as beautiful but crowded. Some may not see this shift as a concern; however, I began to be discouraged to read any further.
This image suggests a circularity in time, in which death loops right back into birth. Due to the emotional disconnection, his ability to fluently keep the reader interested, however, is debatable.
The Kiowas acquired horses on their journey, which transformed them into nomads and ruthless hunters. In this context, Momaday first raises the specter of white colonization of Kiowa lands and culture.
Works Cited Momaday, N avarre Scott. She made long, rambling prayers out of suffering and hope, having seen many things…the last time I saw her she prayed standing by the side of her bed at night, naked to the waist, the light of a kerosene lamp moving upon her dark skin…I do not speak Kiowa, and I never understood her prayers, but there was something inherently sad in the sound, some merest hesitation upon the syllables of sorrow In this story, the landscape acts on people, people act on the landscape, and people transform into an animal a bear and a natural feature stars.
This is also a moment in which Momaday asserts the similarity between myth and historical fact; the Kiowa origin myth and the known history of the Kiowas both tell a story with a similar plot, one in which the Kiowas move from darkness into light.
This type of storytelling shows that the grand and intimate moments of history are not separate from each other, and that history is not an abstract concept, but rather a past that lives within real people. I remember her most often in prayer. As they moved, they befriended the Crows, who introduced them to Plains culture and religion including the Sun Dance, and Tai-me, the Sun Dance doll at the center of their worship.
That was the last time the tribe gathered for a Sun Dance, and Momaday says that his grandmother forever remembered the whites having killed her religion. His most significant memories of Aho—who represents the history and culture of the Kiowas—are of her praying.
The flow of the story felt rocky with Momaday focusing so much on the detail of landscape, and his heritage, that I found it difficult to follow him when he threw in little tidbits about his grandmother and not depicting his emotional attachment.
Scott Momaday, one of the most prolific American Indian writers of the 20th century, grew up on several different Indian reservations in the American southwest.
Throughout the late nineteenth and early twentieth centuries, the U. How did the landscape affect his pilgrimage? Momaday told this story from what felt to be the opposite of a personal and special experience one would imagine a pilgrimage to represent. Others believed it to be a journey to a shrine of importance based on ones faith or beliefs.
As Momaday notes, talking was a mark of healthy culture—unsurprising in the context of a culture defined by oral tradition—and, as such, those who talked most could shape the stories that defined the culture.
Active Themes Momaday then locates himself in time, saying that he had first returned to Rainy Mountain last July after the death of his grandmother, Aho, whom he notes was said to have looked like a child—despite her old age—in the moments before her death.Oct 24, · In The Way to Rainy Mountain Momaday takes the reader down a beautifully descriptive journey that contained his pilgrimage to his grandmother’s grave.
From Momaday’s precise images of the landscape to his ability to accurately recall important pieces of the Kiowa’s history, there is no question in this critic’s mind that he Reviews: 8. Analysis of Mountain Sound in the Context of Journeys Words | 4 Pages Journey Portfolio Mountain Sound Of Monsters and Men Song September 2nd, “Mountain Sound” is a song performed by Icelandic indie pop band Of Monsters and Men which was released as a second single from their debut studio album “My Head is An Animal.”.
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