The Return of the Dragon,each of which broke Hong Kong box office records. The production of their first major film, Rouge, in was a long production that would yield positive results on its release.
But changes were beginning that would greatly alter the industry by the end of the decade. The guarantee operates to secure a percentage of monies loaned by banks to film production companies.
Election and Election 2 also enjoyed Hong Kong box office successes. In the second half of the s, the Shaws inaugurated a new generation of more intense, less fantastical wuxia films with glossier production values, acrobatic moves and stronger violence.
It specialised in contemporary comedy and action, slickly produced according to explicitly prescribed commercial formulas. To this surface dazzle, the new cinema added an eclectic mixing and matching of genres, and a penchant for pushing the boundaries of sensationalistic content.
For the past three or four decades, television has been a major launching pad for movie stardom, through acting courses and widely watched drama, comedy and variety series offered by the two major stations.
Other hallmarks of this era included the gangster or " Triad " movie trend launched by director John Woo, producer and long-time actor Alan Tang and dominated by actor Chow Yun-fat ; romantic melodramas and martial arts fantasies starring Brigitte Lin ; the comedies of stars like Cherie Chung and Stephen Chow; traditional kung fu movies dominated by Jet Li ; and contemporary, stunt -driven kung fu action epitomised by the work of Jackie Chan.
Many, if not most, movie stars have recording sidelines, and vice versa; this has been a key marketing strategy in an entertainment industry where American-style, multimedia advertising campaigns have until recently been little used Bordwell, Drunken Master — source: The martial arts subgenre of the kung fu movie exploded into popularity internationally, with the Shaws driving and dominating the wave.
Hong Kong was building a strong base of studios at this time. Overproduction, attended by a drop in quality control and an exhaustion of overused formulas Yang, The trend was inspired by the popularity of imported samurai movies from Japan Chute and Lim,8as well as by the loss of movie audiences to television.
This robust series feature heroic swordsmen, combat, even special effects. This marked the crucial turn of the industry from a female-centric genre system to an action movie orientation see also the Hong Kong action cinema article.
In the vertically integrated Hollywood film industry of the s, s, and s, these responsibilities were all undertaken by the studios themselves.
An emergence into the wider popular culture gradually followed over the coming years. Rampant video piracy throughout East Asia. This is a scene of comic relief from an early film showing the versatility we would come to expect from Hong Kong cinema.
It is a thoroughly commercial cinema: From the s to mids, Mandarin film productions became dominant, especially those made by the Shaw Brothers studio in Hong Kong.
Major studios that thrived in this period were Grandview, Universal, and Nanyang which later became the Shaw Brothers Studio that would have an enduring influence on Chinese film. In addition to the continuing slump, a SARS virus outbreak kept many theatres virtually empty for a time and shut down film production for four months; only fifty-four movies were made Li, Movies often went into production without finished scripts, with scenes and dialogue concocted on the set; especially low-budget productions on tight schedules might even have actors mouth silently or simply count numbers, with actual dialogue created only in the editing process.
In the s, he began directing in Mandarin and brought exploitation elements to serious films about subjects like prostitution The Call Girls and Linathe atomic bomb Hiroshima 28 and the fragility of civilised society Yesterday, Today and Tomorrowwhich portrayed a plague-decimated, near-future Hong Kong Teo, The History of Hong Kong Action Cinema Pt.
4 – New Wave This article is part of a series on the history of Hong Kong action cinema - find the other parts here. The 's and 70's are probably the most pivotal time regarding the growth of. HF: Paul Fonoroff, well known Hong Kong film critic and historian, wrote, A Brief History of Hong Kong Cinema.I believe it was published inin Renditions, a literary magazine published by the Research Centre for Translation (RCT) at the Chinese University of Hong ultimedescente.com copy of the article I link below comes from the CUHK library.
The Cinema of Hong Kong examines one of the most popular and dynamic cinema traditions in the history of film. Providing an overview of major directors, genres and stars, from its origins to the present, this volume examines Hong Kong cinema in transnational, historical, and artistic contexts.5/5(1).
The Cinema of Hong Kong examines one of the most popular and dynamic cinema traditions in the history of film.
Providing an overview of major directors, genres and stars, from its origins to the present, this volume examines Hong Kong cinema in transnational, historical, and artistic contexts.3/5(1).
The History of Hong Kong Action Cinema Pt.
1 – The Pioneers When I was young my Uncle Fred was our gateway to cool movies at a young age. He would babysit my brother and I, and going to the video store (yes, VHS) was.
List of cinemas in Hong Kong. Jump to navigation Jump to search. This is a list of current and Kwun Chung Theatre, at 30 Kwun Chung Street, Kwun Chung; was Hong Kong's last adult cinema until it closed on March 15, ;.Download